{"id":923,"date":"2024-10-29T00:00:00","date_gmt":"2024-10-29T00:00:00","guid":{"rendered":"http:\/\/concomitentes.vl22350.dinaserver.com\/fomos-monte-ossentiredomonte\/"},"modified":"2025-07-15T18:51:25","modified_gmt":"2025-07-15T18:51:25","slug":"fomos-monte-ossentiredomonte","status":"publish","type":"post","link":"https:\/\/concomitentes.org\/en\/fomos-monte-ossentiredomonte\/","title":{"rendered":"E fomos monte. A visual and textual account of the ritual Sentires do Monte."},"content":{"rendered":"

(Read in English here).<\/a><\/p>\n

This art project takes place within the framework of the Terra Com\u00fan de Concomitentes project with the mediation of the researcher and cultural curator Natalia Balseiro and the participation of the president of the Couso Mountains Community Xos\u00e9 Manuel Ara\u00faxo; together with them, some three hundred people have participated in more than thirty meetings, work sessions, walks through the mountain, festivals, learning days, etc. <\/p>\n

After months of collective deliberation, the collective desire defined by these community members, the Couso residents, was: to enhance the value of their legacy among the closest neighbours and the communities, with the idea of guaranteeing generational succession.<\/p>\n

The invitation to Asunci\u00f3n Molinos Gordo (1979, Aranda de Douro, Burgos), researcher and visual artist, was to respond to this collective desire, through an art project creating new links with the mountain. She is an artist with a tremendously open and situated formalisation in her art projects, who works from a perspective strongly influenced by the methods of disciplines such as anthropology, sociology and cultural studies, and whose main focus of her work is contemporary farming culture. <\/p>\n

\n \"Beginning
\n Asunci\u00f3n Molinos Gordo during the Ritual Festival. (c) Andreia Iglesias <\/figcaption><\/figure>\n

In order to carry out the art project, Asunci\u00f3n was accompanied for eight months by around twenty community members, as well as neighbours and members of other mountain communities, who made up the working group that participated in the design of the Festival-Ritual. <\/p>\n

Being together, opening up new conversations, creating vencellos, etc. it is through a whole series of visits, walks, interviews, information meetings and writing exercises (odes, letters, municipal banners, handmade bica, letters of rights and other writing tools) that other forms of bonding with the mountain were created, and the essential elements of the mountain to shape the ritual were decanted: auga, animais totemicos, o aire-o os\u00edxeno, as herbas, os alimentos, a le\u00f1a, o lume, os cabalos, os devanceiros e a memoria. <\/p>\n

1st ACTION: call to the Mount<\/strong><\/p>\n

With these changes and a deep research work on each one of them, the Festa-Ritual was composed with a series of actions that began in the Miradoiro de San Antoni\u00f1o after the call to clean the mountain by the oldest villagers with the Buguinas from the Guarda, recovering an old method to call the villagers to clean the mountains. The call to the mountain was made by Iria Enr\u00edquez Bland\u00f3n, Paloma Amigo Garc\u00eda, Pepe Re\u00f1ones Rodr\u00edguez and Lu\u00eds Alonso Bagacigalupe. <\/p>\n

\n \"Call
\n Chamada das caracolas (c) Andreia Iglesias <\/figcaption><\/figure>\n

2nd ACTION: Auga <\/strong><\/p>\n

They processed together to the source of the Couso River where the water that makes life possible in Couso originates. Xos\u00e9 Ant\u00f3n Ara\u00faxo, Jos\u00e9 Manuel Lago, Iria Enr\u00edquez Bland\u00f3n and Asunci\u00f3n Molinos Gordo shared ancestral and collective knowledge and practices about what water can do, presenting the yellowtail or the goat as animals that signify drinking water, they revealed the practices of planting water, they performed gestures in community inspired by the irrigation communities where water is shared among all beings.<\/p>\n

\n \"Couso
\n Xos\u00e9 Ant\u00f3n Arauxo from Montes de Couso explains data related to the Couso river. (c) Andreia Iglesias <\/figcaption><\/figure>\n
\n \"Catching
\n Toma auga, lava a cara e devolve auga ao r\u00edo en sinal de agradecemento. (c) Andreia Iglesias. <\/figcaption><\/figure>\n

3rd ACTION: Food
<\/strong>
They ate together, celebrated that they are here and alive. They put their bodies together to make their feast, their rite, and encorpalos<\/em>. A stop at Souto Chan d\u00e1s Eiras where they shared the food offered by the mountain: cen quilos de xabaril doados pola Sociedade de Caza a Gondomarense, coci\u00f1\u00f1eados pola coci\u00f1eira especialista en carne de caza Eva Florenti\u00f1a de Gondomar, regado con vi\u00f1o de casa das vi\u00f1as das aldeas vinculadas ao monte e acompa\u00f1ado das empanadas de casta\u00f1as e cogomelos dos montes de Couso coci\u00f1adas entre o Bar Gondomar e a Panadar\u00eda O Penisco (Gondomar).<\/p>\n

\n \"Lunch
\n Lunch with mountain products (c) Andreia Iglesias <\/figcaption><\/figure>\n

4th ACTION: Regueifas<\/strong><\/p>\n

The girls from Gondomar Alba Herranz Pazos, Mar Herranz Pazos, Carmen Villanueva Rei, Paula Pi\u00f1eiro Gonzalez and Ruth Comesa\u00f1a Granxa, all students of 4\u00baESO of the IES Pluril\u00edng\u00fce Terra de Turonio performed the conflicts of the mountain, of today and today, through several regueifas composed by themselves with the help of the regueifeiro of Godomar Lu\u00eds Caruncho and the teacher and artist Elena G\u00f3mez Dahlaren. These five girls composed the lyrics of this verbal game about the love affairs in the forest that still exist since ancient times, but also about the distance between the administrative bureaucracy of the management of the forest and the reality of the people who live the forest every day, understanding it as a master, as a family, as a companion.<\/p>\n

\n \"Regueifa
\n Regueifa with five rapazas from the area. (c) Andreia Iglesias <\/figcaption><\/figure>\n

5th ACTION: As herbas <\/strong><\/p>\n

A group of women made up of Sara Gonz\u00e1lez L\u00f3pez, Pilar Talariz Cobas, Mar\u00eda Lemos Cerqueira, Susana S\u00e1iz Medinger, Monste Salgueiro Varela and Lucila Rial Prado shared their knowledge and experiences about medicinal herbs and their different uses for food, medicine, spirits... They also prepared together with Elisa Diego Diaz from the Bar d\u00e1 Casa Veci\u00f1al de Couso different herbal infusions that used to be grown in the mountains of Couso and are nowadays grown in the gardens and vegetable gardens of the Couso neighbours. These infusions were sweetened by the honey donated by the Community of Montes de Vincios through Montse Salgueiro Varela.<\/p>\n

\n \"\"
\n Some of the women in the area transmit their knowledge of the plants. (c) Andrea Iglesias <\/figcaption><\/figure>\n
\n \"\"
\n A little ritual for a good luck (c) Andrea Iglesias <\/figcaption><\/figure>\n

6th ACTION: Cabalos e mocidades<\/strong><\/p>\n

Sheila Ribero Rodr\u00edguez, Olivia Dawod Mu\u00ed\u00f1os, Paula Pi\u00f1eiro Gonz\u00e1lez and Adri\u00e1n Alonso Docampo -the newest members of the community- mounted on the horses of Suso and Jos\u00e9 Alonso Santos and Paco Le\u00f3n guided us through the mountain, to the burial place of the devanceiros of Couso, the oldest villagers of the place.<\/p>\n

\n \"\"
\n Three horsewomen and a horseman lead the group (c) Andreia Iglesias <\/figcaption><\/figure>\n

7th ACTION: M\u00e1moa<\/strong><\/p>\n

Jes\u00fas Rodr\u00edguez Dieguez traced a route through what are today, for the Couso's inhabitants, the m\u00e1moas, the places of collective burial, those places, in the high part of the mountain, that their ancestors chose to bury their community members.<\/p>\n

\n \"The
\n The history of the first inhabitants of Couso (c) Andreia Iglesias <\/figcaption><\/figure>\n

8th ACTION: A gaita, o terceiro pulm\u00f3n (Bagpipes, the third lung) <\/strong><\/p>\n

The artist Mercedes Pe\u00f3n composed a performative and sonorous space within the Festa-Ritual with the Pipe Band Novos Aires de Couso from the marm\u00f3 at the foot of Monte do Facho. The bagpipe players Marcos Castro Gonz\u00e1lez, Jose Lago Vila, Fabio Dur\u00e1n Deus, Nicolas Abaldes Lorenzo, Jesus Abaldes Perez, Jos\u00e9 Antonio Hermida P\u00e9rez, Andrea Gomes Rodriguez, Nayara Fern\u00e1ndez Benites and Javier Abalde blew the fol of the bagpipe as if it were a third lung, emulating their breathing through the mountain, as our ancestors did, when there was no electric light, to scare away the fear with their bagpipes. At the foot of the mountain they played the piece that M. Pe\u00f3n composed for them as an offering to the Couso Mountains.<\/p>\n

\n \"The
\n The bagpipes, the third lung (c) Andreia Iglesias <\/figcaption><\/figure>\n
\n \"The
\n The bagpipes, the third lung (c) Andreia Iglesias <\/figcaption><\/figure>\n

9th ACTION: Firewood<\/strong><\/p>\n

By the end of the day, as the afternoon was drawing to a close, Basilio Calzado from the San Salvador Mountain Community shared his knowledge and lessons on how to collect firewood to light the fire and what other uses the woody plants of the mountain have had, such as pineapples and toxo. After their instructions, the whole group collected a bundle of firewood to go up Monte do Facho and burn it in a collective, communal fire.<\/p>\n

\n \"Collection
\n Collection and burning of firewood (c) Andreia Iglesias <\/figcaption><\/figure>\n

10TH ACTION. Lume <\/strong><\/p>\n

They ended up at the top of Monte do Facho, composing a common firework to illuminate, as they did their devotees to the neighbouring communities of the sea, as a lighthouse. A comunidade de montes de Couso iluminou o monte, deix\u00e1ronse ver, estamos aqu\u00ed, estamos vivos, estamos xuntos, seguimos co\u00f1ecendo o noso monte, xerando novos v\u00ednculos con el e entre n\u00f3s e hoxe vimos escoitalo.<\/p>\n

\n \"The
\n The highest point of the Couso mountain range (c) Andreia Iglesias <\/figcaption><\/figure>\n

11th ACTION: Plan de Protecci\u00f3n do Monte <\/strong><\/p>\n

Iria Enriquez Bland\u00f3n, one of the newest community members, reads a poetic adaptation that the artist Asunci\u00f3n Molinos Gordo wrote of the Plan de Autoprotecci\u00f3n do Monte, also written by the artist herself, based on the work sessions carried out with community members, neighbours and people from other mountain communities. It is a legal document that aims to inspire other forest communities to protect this common good that is so valuable for life.<\/p>\n

\n \"Reading
\n Reading of the Self-Protection Plan (c) Andreia Iglesias <\/figcaption><\/figure>\n

A rite that marks a beginning<\/strong><\/p>\n

In addition to this ritual festival, which is intended to be an annual event, the artistic process also takes the form of a Self-Protection Plan for the Mountain that recognises the rights of these mountains and which was designed by the artist on the basis of the collective work sessions.<\/p>\n

A document, inspired by other similar processes such as the Law approved in 2022 to grant legal personality to the Mar Menor in Murcia and the Tins de Outes River in Galicia, which seeks to safeguard the future of these territories managed by the local communities, and thus inspire other similar models.<\/p>\n

The content of this Self-Protection Plan, the result of various meetings between the artist, the mediator and the working group, made up of members of the community, neighbours and members of other forest communities, will include topics such as care, protection, use, production and transmission of knowledge in the territory.<\/p>\n

In addition, at the last working session of the Terra Com\u00fan project, scheduled for December, the Community of Couso Mountains will receive the protocol through which they undertake to give continuity to this Festival-Ritual every year, keeping it alive, changing, adapting it to their needs and to the times, but living it together, in common. <\/p>\n

Asunci\u00f3n Molinos Gordo, 
<\/strong>A work about the world of farming <\/p>\n

The researcher and visual artist, Asunci\u00f3n Molinos Gordo, developed an artistic work that revolves around rural cultures and international peasantry. She produced work connected with the transformation of agricultural work, the impact of biotechnology, international food trade, transhumant architecture and peasant protests, the CAP and the bureaucratisation of the territory, ancestral irrigation systems and peasant forms of building welfare. He won the Sharjah Biennial Prize in 2015 with his project WAM (World Agricultural Museum) and represented Spain at the XIII Havana Biennial 2019. His work has been exhibited in institutions such as Museo Carrillo Gil in Mexico, Vitoria & Albert Museum in London, The Townhouse Gallery in Cairo, Jameel Arts Centre in Dubai, Arnolfini Contemporary Arts in Bristol, Tranzit in Prague, Cappadox Festival in Uchisar-Turkey, MUSAC in Le\u00f3n, CAB in Burgos, Matadero in Madrid, La Casa Encendida in Madrid, CA2M in Madrid, among others.<\/p>\n

Identity and history of the community of Montes de Couso
<\/strong>
A comunidade de Couso est\u00e1 integrada por 85 comuneiros e comuneiras e busca converter o monte forest<\/s> n a resource of multifunctional value and a source of resources in order to achieve a greater environmental value and a more respectful environment with native tree species. They work to advance in their self-sufficiency. The forest is a territory where they grow raspberries, blueberries, blackcurrants, chestnuts and the \u00abshiitake\u00bb variety of mushrooms. Montes de Couso was recognised as an example of good management, appearing in the UN ICTCA register and received the IRGADE award for the promotion of the Galician language.<\/p>\n

\n \"Panoramic
\n Panoramic view from the top of Couso. (c) Andreia Iglesias <\/figcaption><\/figure>\n

European Project: Art Living Lab for Sustainability<\/strong><\/p>\n

Terra Com\u00fan is part of the European project Art Living Lab for Sustainability, financed by the European Union's Creative Europe programme and coordinated by Concomitentes together with the European partners De Nieuwe Opdrachtgevers and A Soci\u00e9t\u00e9 des Nouveaux Commanditaires; and the University of Santiago de Compostela. <\/p>\n

The project's challenge is to address three mechanisms of community management: the mountain with Terra Com\u00fan (Monte Veci\u00f1al de Couso, Galicia, Spain); the clay with Clay Commons (Boom, Flanders, Belgium); and the water with Water Commons (Parque Natural Rexional do Alto Xura, France), through participatory processes in these territories, which will result in three works of art that respond to the needs of these communities and territories.<\/p>\n

\n \"The
\n The Ritual also included an informative leaflet about the whole process. (c) Andreia Iglesias <\/figcaption><\/figure>\n

CO-CREATORS OF THE RITUAL:<\/strong><\/p>\n

Natalia Balseiro, Xos\u00e9 Ant\u00f3n Ara\u00faxo, Susana S\u00e1iz Medinger, Iria Enr\u00edquez Bland\u00f3n, Pilar Taladriz Cobas, Luis Alonso Bacigalupe, Paloma Amigo Garc\u00eda, Mar\u00eda L\u00f3pez Gallego, Manuel Villot Pascual, Jes\u00fas Rodr\u00edguez Dieguez, Mar\u00eda Lemos Cerqueira, Elena G\u00f3mez Dahlgren, Jose Manuel Lago, Basilio Calzado, Mar\u00eda Dolores Gonz\u00e1lez Alonso, Mercedes Pe\u00f3n, Luis Enrique Correa Pi\u00f1erro (Caruncho), Alba Herranz Pazos, Mar Herranz Pazos, Carmen Villanueva Rey, Paula Pi\u00f1eiro Gonz\u00e1lez, Ruth Comesa\u00f1a Granja, Montse Salgueiro Varela, Lucila Rial Prado, Sara Gonz\u00e1lez L\u00f3pez, Patricia L\u00f3pez Palmas, Xoaqu\u00edn de Acosta Beiras, Pepe Re\u00f1ones Rodr\u00edguez, Emilio Dios, Paco Le\u00f3n, Suso Alonso Santos, Jose Alonso Santos, Jose Manuel Riob\u00f3 Hermida, Marcos Castro Gonz\u00e1lez, H\u00e9ctor Alfaro, Olivia Dawod Molinos, Adri\u00e1n Alonso Docampo, Sheila Ribero Rodr\u00edguez, Francisco Javier Alonso, Jose Antonio Herbida P\u00e9rez, Fabio Duran Dios, Nicolas Abaldes, Jes\u00e9s Abraldes P\u00e9rez, Juan Ra\u00fal Hern\u00e1ndez Cuevas and Andrea G\u00f3mez Rodr\u00edguez.<\/p>\n

All the photos are by Andreia Iglesias, whom we thank for her dedication and vision in bringing us these little visual stories.<\/p>\n

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